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The
earliest exponents of Bharatanatyam were the devadasis (temple dancers) in south
India for worship. It came to be patronized by the Cholas, the Pandyas, Nayakas,
Vijayanagar rulers and the Marathas. The technique of Bharatanatyam consists of
64 principles of coordinated hand, foot, face and body movements which are
performed to the accompaniment of dance syllables, popularly known as bols.
Its format consists of Alarippu (invocation), Jathi Swaram
(note combinations), Shabdam (notes and lyrics), Varnam (a combination of pure
dance and abhinaya), lighter items like Padams and Javalis (all erotic) and
finally the Thillana (again pure dance).
Bala
Saraswathi, Shanta Rao, Mrinalini Sarabahai, Yamini Krishnamurthy, Kamala,
Vijayantimala, Sonal Man Singh, Samyukta Panigrahi and Rukhmini Devi.
The
word Kathak is derived from Katha which means story. It is a dance-drama in
which actors took part.
It is confined mostly to Northern India—Uttar Pradesh,
Rajasthan, the Punjab and Madhya Pradesh. The main centres are Lucknow,
Varanasi, Jaipur and Delhi.
The characteristic features of the Kathak dance are emphasis
on foot work, the swift swirl or chakor of the body followed by its sudden
stillness. The execution of foot work is with in a time cycle.
The Kathak dance goes through a regular format mostly
concentrating on rhythm, variously called tatkar, paltas, thoras, amad and
parans.
Sitara Devi, Birju Maharaj, Gopi Krishna, Binda Din Maharaj,
Damayanti Joshi, Kalkadin, Aachan Maharaj and Uma Sharma.
It
combines music, poetry, mime and drama. This dance-drama is usually performed in
the open and usually lasts the whole night. The themes are taken from the
Ramayana, the Mahabharata and Hindu mythology. The costumes show a great variety
of colour. The musical instruments are quite simple, viz., drums and cymbals.
The actors put on masks of various types to represent deities or the demons.
Kunju Kurup, Koppan Nair, Ragini Devi, Shanta Rao, Mrinalini
Sarabhai, Kanak Pele, Rita Ganguly, Krishnan Nair, Gopinathan and Karunakaren
Nair.
This
dance belongs to the state of Manipur in north-east India.
Manipuri is purely a religious dance which is used to invoke
divine blessing. Originally only Shiva and Parvati were propitiated but later on
Krishna and Radha too were included.
Guru
Bipin Sinha, Charu Mathur, Sadhana Bose, Jhaveri sisters and T. Nadia
Singh.
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Odissi : It is a classical dance of
Orissa. The earliest evidence of the dance are found in the caves of Udaigiri
and Khandagiri. Odissi was greatly influenced by Vaisnavism and the Bhakti
Cult.
Odissi is built on the principle that the human body is meant to be
employed in deflection. The main emphasis is on the statuesque poses of the
dancer.
The format consists of Bhumi Prana, Batu, Pallavi and lighter
items like the Ashtapadi ending in moksha approximating to the Thillana of the
south.
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Famous Exponents : Mohan Mahapatra,
Kelucharan Mahapatra, Pankaj Charan Das, Hare Krishna Behra, Mayadhar Pant,
Madhvi Mudgal, Sharon Lowen (USA) and Myrta Bravie (Argentina).
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Kuchipudi : Kuchipudi is a dance-drama of
Andhra Pradesh. It is the corresponding style of the Bhagvatamala Natak of Tamil
Nadu, except the emphasis is on animat (s derived from Natya Shastra.
It
closely resembles Bharatanatyam. However, its movements are much faster and
style is freer.
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Famous Exponents : Yamini Krishnamurthy,
Swapnasundari, Shobha Naidu Raja and Radha Reddy, Vempati Stayam and Vedanatam
Stayam.
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Mohiniattam : It is a classical dance of
Kerala. In format, this is similar to Bharatanatyam. It is essentially a solo
dance.
The first reference to Mohiniattam is found in Vyavaharamala,
composed by Mazhamangalam Narayanan Nambudiri, assigned to the 16th century
AD.
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Famous Exponents : Vyjayanthimala, Shanta
Rao, Roshan Vajifadar, Bharti Shivaji, Kanak Pele and Hema malini.
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Maharashtra |
Kathakeertan, Lezim, Dandaniya, Tamasha, Gafa,
Dahikala, Lovani, Mauni, Dasavatar or Bohada. |
Karnataka |
Huttari, Suggi Kunitha, Yakshagana. |
Kerala |
Kaikottikali, Kaliyattam, Tappatikkali. |
Tamil Nadu |
Kolattam, Pinnal Kolattam, Kummi, Kavadi,
Karagam. |
Andhra Pradesh |
Ghanta Mardala, Veedhi Natakam,
Burrakatha. |
Orissa |
Aaya, Jadoor, Mudari, Sanchar, Chadya Dandanata,
Chhau |
West Bengal |
Kathi, Chhau, Baul, Kirtan, Jatra, Lama. |
Assam |
Bihu, Kali Gopal, Khel Gopal, Rakhal, Jhakura, Maha
Ras. |
Punjab |
Giddha (women), Bhangra (man) Ghamaan, Kikli.
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Jammu & Kashmir |
Rauf, Hikat. |
Himachal Pradesh |
Jhora, Jhali, Dangi, Mahathu, Jadda, Jhainti,
Chharba. |
Haryana |
Ghodinaach, Saomg, Phag dance, Daph, Loor,
Gugga. |
Gujarat |
Garba, Dandiya Ras, Lasya, Bhavai. |
Rajasthan |
Jindad, Ghapaal, Kathputli, Dhela, Maru, Chakri,
Gangore, Terahtaal, Khayal, Jhuma. |
Bihar |
Jatra, Karma, Kathaputli, Bakho, Jhijhiya,
Samochakwa, Natna. |
Uttar Pradesh |
Nautanki, Jhora, Chappeli, Raslila,
Kajjri. |
Nagaland |
Khaiva, Nooralim, Chong, Lim, Kuminaga, Rengma
Chong. |
Manipur |
Basant Ras, Nat Ras, Maha Ras, Ki Talam,
Vyaangta. |
Jharkhand |
Jhau, Ghumkudia, Karma, Sarhool, Madhi,
Jadoor. |
Uttranchal |
Kazri, Karan. |
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